The picture may feel more than a little familiar, but [director] Ayer knows how to cook up intense setpieces, and Reeves keeps getting better at the weary hero role he continually gravitates toward.. One of those generic cop-slash-war movies of the Jerry Bruckheimer school -- where men are men and so are the women, where the hardware is fetishized.. The movie belongs to Reeves, who at 43 is finally starting to look like an adult, with greater heft all round. He does Clint proud.. [James Ellroy] ...
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